What does each finish do?
Oil at Evening paints the court in broken colour under a low sun, with long shadows from the net and the fence and the brush left showing.
Travel Poster flattens it into gouache shapes with clean edges and a sky in two bands, as the railway posters of the 1930s did.
Pen & Wash draws the lines, the net and the fence in a dark pen and lays loose watercolour under them, with white paper left showing.
There are no sample paintings here yet. The first ones will be painted from openly licensed photographs of public courts once painting opens, and credited on this page.
What is it, and what isn't it?
The View is a digital painting of your photograph, made by an image model and printed by the same labs as every club drawing. It paints what the camera saw. It doesn't measure anything: the court numbers, the surfaces and the survey belong to the drawings in the studio, and the View carries none of them.
Every photograph is checked before it is painted. One with no court in it, or with a person posing as its subject, is refused and not counted, and so is one taken at the four major championship grounds, which we leave to them. Signs, logos and sponsors' boards are left out of every painting.
How many can I paint?
Three a day, free, with nothing to sign up for. The proof carries a mark across it; the print you order doesn't. The photograph goes to OpenAI to be checked and painted, and we don't keep it: the privacy notice has the detail.